At Dior, the switch from prominent creative director Raf Simons to Maria Grazia Chiuri, the (also rather popular) co-artistic director at Valentino, was a stark one. nobody expected Raf to split after three critically acclaimed years, as well as since of that, there was no wind down in consumer rate of interest as well as no expectation that a modification would be coming. as well as boy, did things change—Chiuri brought with her a version of womanhood much different than Simons’s ultra-feminine futurism. Her Dior is less slick as well as a lot more casual, as well as in that casualness, probably a lot more reflective of exactly how lots of women really online in their clothes in 2018. There have been moments of aesthetic turbulence in making that change, however in the just recently debuted cruise 2019 collection, Dior has when once again discovered its altitude.
As far as bags go, the runway collection is fairly short on Dior classics, although they’ll undoubtedly be in the full assortment that shows up in stores. Instead, Chiuri took the chance to both stoke the revival of the Dior Saddle Bag, seen right here in both logo as well as heavily embellished forms, in addition to a simple, new east-west satchel as well as saddle (lowercase S) bag. The execution of these is solid as well as sleek, as well as they’re a great counterpart to a few of the line’s a lot more logo-heavy options. inspect out behind-the-scenes pictures of the collection’s accessories, directly from Dior, below.
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